Just a thought....
Don't compare your life to others'. You have no idea what their journey is all about.

Showing posts with label saopaulo. Show all posts
Showing posts with label saopaulo. Show all posts

Tuesday, 08 February 2011

Under the Minhocão

Disclaimer: The area I'm talking about is not the kind of area I feel good about taking a camera, however much I want to capture it. Photos here are by brave and talented others. I'll link the photos to their profiles or sites. The photos are in no particular order.

You can't live in São Paulo without knowing about the Minhocão, the 'Elevado Costa e Silva', to give it its proper name. 'Minhocão' basically means giant earthworm. The flyover is built above another thoroughfare at about a second-storey height. It snakes between apartment blocks through a couple of neighbourhoods.



The Minhocão was pretty much a white elephant with each political figure wanting to make his name through it - one would want to construct it and the other would want to demolish it. For better or for worse, the Minhocão still stands, a whole culture now built up around it.



That culture is the interesting part of the Minhocão. The road below is peppered with vendors selling everything from pirated dvd's to fresh cut fruit. It's the kind of place where a mix of humanity moves through or just hangs around... the kind of place you want to stand and just watch. For those with people watching as a hobby, it's perfect.



I had my introduction to the Minhocão way back when I first ventured out from my home in Perdizes. The bus I took into town went under the minhocão. What an education! I would take the bus really early, around 6am. Every few metres was a prostitute, more often than not with more skin than fabric showing. These weren't your high class escorts either. The sight of bright lipstick and fishnet stockings became familiar to me. Some of the prostitutes looked stranger than others...



Some time later, after I'd stopped taking that particular route to my students, I learned that many now stood there almost completely naked. Why? To prove they were female. The area became well known for cross-dressers and those who'd gone the whole surgical route. Frankly, I'm glad I don't take that bus any more. I think the sight would be a bit much to stomach after my early breakfast.



The minhocão is also known for its graffiti. It's a haven for graffiti artists from all over, its vast pillars offering the perfect canvas and no one particularly caring what is put on them. This particular pillar sports a charming portrait of Saci Pererê, the one legged mythical creature all Brazilian children get tormented with, Brazil's version of the South African Tokoloshe.



A bone of contention with people over the Minhocão is its height above ground and location. It's constructed just high enough to give passing motorists a birds-eye view straight into the apartments lining the route. For this reason, the flyover is actually closed off at night or over the weekend. It then opens to only pedestrian traffic, as though people are more likely to gaze into other people's lives while driving. If that isn't bad enough, the apartments below the road level are in permanent darkness. The street below becomes a den of drug use, prostitution, crime and the kind of activities that usually flourish in the dark.



I found this photo on a news site, Globo. If you look to the left, you'll see a bus in the street below. No buses go overhead. As you know by now, it rains a lot here. Oddly enough, the top of the Minhocão floods. Before it becomes impassable, cars fly through the dammed up water, creating a filthy fountain onto the road, cars and people below. A nasty place to be when it's raining. Trust me on that one! You're sitting in the bus, window open, as you're supposedly sheltered from the rain by the overhead road and a sluice of grunge-water showers down and in through your window. That is a lesson you only need to learn once.



The Minhocão is a mixed blessing for some. It's home for many, a place to sleep where, as long as you don't mind traffic on both ends of your bed, you're dry and can spread out. The space between the pillars is home. The graffiti over their heads reads, "Be happy". I wonder if they can read it and if they take it to heart - can they?



The final oddity about the Minhocão, the part that fascinates me the most. Tatiana and I used to pass it by and wonder every time what its story was. I believe there are plans to renovate it. I certainly hope so! In among the squalid and often derelict shop fronts stands the 'castle'. It's been empty for as long as I've known it and in various states of disrepair. A real live 'folly' planted in the heart of São Paulo?


It's a standing joke in our family whenever anyone wants to do something or buy something particularly extravagant, the other would say, "What do you want me to do... pawn my body under the Minhocão?" Jurgis has just pointed out that the title of his Firefox tab for this blog post reads: "I am... Tint - Under the Minhocão". The wretch thought that was highly amusing.

Thursday, 26 August 2010

Tarnished gilt

While I was looking for photos for this blog, I found another blog here. Below is a direct quote, which I found incredibly amusing. Tat will appreciate it. The photo is from that blog too.

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“Aqui é Santa Cecília?”
“Segundo os correios, é...”
“...”
“Na verdade, depende. Algumas quadras são na Consolação e outras são em Santa Cecília.”
“Mas se eu disser pra alguém que moro em Santa Cecília, essa pessoa irá até a Santa Cecília.”
“Pode ser que ela me encontre, afinal eu trabalho em Santa Cecília.”
“Por via das dúvidas, use 'moro na Angélica', aí não tem erro.”
“Oficialmente, não existe Higienópolis, nem Pacaembu. Só Consolação e Santa Cecília.”



~ : ~ : ~: ~ : ~

The one area I teach in is considered a 'bairro nobre' or 'noble neighbourhood'. Higienópolis. The quote above is a conversation about finding directions in Higienópolis. It's one of those peculiar neighbourhoods where everyone wants to have it as an address, but most around there live in the 'lesser' neighbourhoods of Consolação, Santa Cecilia and even further 'down', Marechal Deodoro.

Most of São Paulo is sectorised.... split into 'sectors'. Italians cluster together in their corner. Jews in another. Lithuanians claim a hilltop of their own. Business-minded Japanese prefer the heart of the city.

There's also sectorised shopping, whole neighbourhoods, streets or blocks, each specialising in one product or product range. A few blocks in town will give me countless shops selling sewing machines or sewing machine repair shops and spares, including a place to print out patterns. There's a road dedicated to jeans, another to hairdressing equipment. A whole few blocks lays claim to being a bride-to-be's Mecca. Just a little further will be the destination of restaurateurs and serious cooks. I wonder if there's any significance in the fact that the bridal sector is decidedly seedy.

For today, I was focussed on the 'bairro nobre'. The vast contrast between the one end and the other takes me by surprise every time. On the one end, you have your well-healed 'old money'. On the other end, you just have the 'old' part of that statement with money only scattered among those who've been there too long and are now too old to move.

In the front hall of the apartment block is an artists interpretation - you know they kind the designers toss out before a building goes up - of what was supposed to be a very nice complex. I walk in through the peeling gates, then some sliding glass doors into the entrance hall. To my left is an arrangement of plastic arum lilies that badly need dusting. There are two couches straight out of a 70's pawn shop. I doubt they've been moved since they were put there 3 or 4 decades ago. The picture on the wall is smallish, an obscure scenic painting, with an ornate gilt frame almost as thick as the picture is wide. The lift is small and very old, as is the rest of the building, creaking as it goes up. The equally creaking gate opens at my floor.

On the other end of the neighbourhood, I am allowed entry through double security gates by a security guard I doubt I'll ever see. I walk along the sweeping cobbled horseshoe drive to the entrance. The decor is simple and tasteful, one or two carefully chosen antiques. So different from the apartments on the other end of the 'hood'. Strangely, though, the buildings come from the same 'era'.